Setting the undoubtedly polarizing politics aside, a media buy involving a couple of big digital boards in Times Square looks interesting for what it is doing with visualized data. Maybe the content presentation is canned in some way, but it LOOKS like a private U.S. […]
This is a set of rotating screens on pylons in a public park/square in Shandong, China, which is between Beijing and Shanghai. The watermark on the video clearly shows it is a Unilumin LED product. It’s interesting. […]
Damn near anyone who has done digital signage or digital OOH ops work will have seen Coca-Cola’s impressive, ambitious 3D robotic LED board in New York’s Times Square and thought, “Oh, that’s going to be an uptime nightmare. […]
This is great – a stunning use of fine pitch LED in the ceiling of a seven-level shopping and lifestyle center on Chicago’s Magnificent Mile. The centerpiece of a makeover at 900 North Michigan Shops is a massive, 190-foot-long digital art installation spanning the ceiling of the nearly 30-year-old complex. […]
I’m not sure this qualifies as digital signage, but this multimedia effort for the annual Rockettes’ Christmas shows in New York is impressive and shows what’s possible with projection tech, fine pitch LED and great creative. […]
It seems like every digital signage awards program out there has a bit of a rolling deadline for submissions, and the UK-based Digital Signage Awards program is no exception. The official deadline is today, but organizer Matthew Davies has let me know it has been extended 10 days based on requests from companies. […]
This a couple of years old, but just stumbled on it. The Quebec DIY store Reno Depot did a Digital OOH campaign in Feb. 2015 in Quebec that used a sensor to match conditions and color to house-brand paint swatches available at the store. […]
South Korean retail giant Shinsegae Corporation engaged Montreal’s Moment Factory to create custom creative for the 6-storey LED centrepiece of a new shopping and entertainment complex in Daegu, south of Seoul. […]
This is a new shopping mall in South Korea, in the suburbs of megacity Seoul. There is a massive digital display experience in the centre court area that includes a very tall LED monolith and curvy LED ribbons lining the mezzanine overlook. I can’t find much about the digital piece that’s in English, other than the content coming from Montreal’s Moment Factory. […]
If you are at ISE in Amsterdam in not all that long from now, you may want to block out an evening to get over by the main rail station to take in a projection mapping exhibition/competition. The World Masters of Projection Mapping competition is running in that city from Jan. 14th to Feb. […]
This the new showroom of the London creative studio Projection Artworks, which includes several LG OLED displays. There’s nothing all that exciting about companies have showrooms, but I note this because of the smart decision to place the OLEDs on a piano black wall. […]
A reminder that entries close at the end of the month for the Digital Signage Awards, a global contest that sifts through and singles out the best work across a bunch of varied categories. Sixteen:Nine is media sponsor/partner in the awards, which are organized and managed by a UK company. […]
Via Retail Design Blog Diageo hired the creative shop Love to design a new brewing floor experience at the storehouse of the famed Guinness brewery in Dublin, Ireland. […]
When I get asked about digital signage installations that I think really have it together, I tend to talk about Microsoft’s retail stores, and more recently, the crazy one by many 100s video wall at the check-in counters at Orlando’s airport. Turns out both projects were pulled together by Synect Media, a Seattle-area agency that is as much an integrator as it is a creative design studio. […]
There are a bunch of great observations, pro and con, on this post about the Coca-Cola mechanical LED spectacular in Times Square – with some noting that the fact that people are talking about it means it has had the desired effect, while others have said it must be a technical nightmare to manage, and suggest many of the effects could be done in content. […]
